Andrius Arutiunian (b.1991) is an Armenian-Lithuanian artist and composer based in Paris and The Hague. Arutiunian works with hybrid forms of music through sound installations, film, sculpture and performances.
Alternate modes of political and musical organisation, sonic dissent, and playful investigation of esoteric and vernacular histories form Arutiunian’s most recent works. Through aural cosmologies, use of non-western tunings and musical systems, as well as extensive studies of resonance and speculative instruments, the artist works with sound as a world-ordering method. The imperialist histories of what we consider as “being in tune” is a recurring theme in Arutiunian’s works.
Solo shows include the 59th Venice Biennale, Pavilion of Armenia, Gharīb (Venice, 2022); Diaphonics at Centrala (Birmingham, 2023), and Incantations at CTM/silent green (Berlin, 2021).
Other group shows and performances include Le Fresnoy (Tourcoing), Stroom (The Hague), Survival Kit 13 (Riga), documenta 14 Parliament of Bodies (Kassel), FACT (Liverpool), Rewire Festival (The Hague), and Contemporary Art Centre (Vilnius), as well as residencies at Cité Internationale des Arts Paris, EMARE/EMAP Liverpool, Amant Siena, BALTIC Centre for Contemporary Art Gateshead, and ZKM | Centre for Art and Media Karlsruhe. Trained as a composer, Arutiunian studied music composition and sonology at the Royal Conservatory The Hague.
Solo shows
2023 | Medūza, Vilnius, upcoming |
Centrala Space, Birmingham, Diaphonics | |
2022 | The 59th Venice Biennale, Armenia Pavilion, Gharīb |
CTM festival and silent green, Berlin, Incantations |
Group exhibitions & performances
2023 | Le Fresnoy, Centre Pompidou, Tourcoing, Saodat Ismailova. Double Horizon |
2022 | Survival Kit 13, Riga, The Little Bird Must be Caught |
2021 | Unseen Data, FACT, Liverpool |
Dutch Design Week, Eindhoven | |
Rewire festival, The Hague | |
werkleitz, Halle | |
Opening the Archive, BALTIC Contemporary Centre for Art, Gateshead | |
2020 | Lucia Festival, Florence |
Exrotaprint, Berlin (w/ Adapter ensemble) | |
2019 | Stedelijk Museum, Amsterdam (w/ Ensemble Modelo62) |
Sacrum Profanum Festival | |
Kablys, Vilnius | |
MO, Modern Art Museum, Vilnius (w/ Ensemble Synaesthesis) | |
Jewish Historical Museum, Amsterdam (w/ Marianna Maruyama) | |
2018 | Centraal Museum, Gaudeamus Muziekweek festival, Utrecht |
Yaga festival, Lithuania | |
Korzo, The Hague | |
Ephémère, Studio Loos, The Hague | |
2017 | documenta 14, Parliament of Bodies (w/ Marianna Maruyama) |
Contemporary Art Centre (CAC), Vilnius | |
Melos Ethos festival, Bratislava (w/ Ensemble Synaesthesis) | |
RAST, Amsterdam | |
deSingel, Antwerp (w/ Nadar ensemble) | |
Gallery Nouvelles Images, The Hague (w/ Marianna Maruyama) | |
Radio Papesse, Florence | |
2016 | MAZE festival, Amsterdam |
Rewire festival, The Hague | |
Moments in the Pulse, Hong Kong |
Residencies
2022 | Rupert, Vilnius |
2021 | FACT, EMARE/EMAP, Liverpool |
Cité internationale des arts, Paris | |
2020 | Amant, Siena |
2019 | BALTIC Centre for Contemporary Art, Gateshead |
ZKM | Hertz Lab, Karlsruhe | |
2018 | The Deep Splash, Vilnius |
Quartertone, Yerevan | |
2015 | Conlon Foundation, Utrecht |
2014 | National Cyprus Museum and Slagwerk Den Haag, Nicosia |
Publications
2022 | The Book of Gharīb (Pavilion of Armenia and Hallow Ground) |
2020 | Four Essays, w/ Raimundas Malašauskas, Marianna Maruyama, Isabelle Sully |
2019 | Portraits & Poets, digital release |
Awards & grants
2020 | Talent Development Grant, Stimulerings Fonds, the Netherlands |
Makersregeling Den Haag, the Netherlands | |
Stroom, Promise Grant, the Netherlands | |
2018 | Young Artist of 2017, Lithuanian Composer’s Union |
2017 | JCDecaux award (nomination), Lithuania |
Education
2010–2016 | BA & MA in Composition; The Royal Conservatoire, The Hague |
Teaching & research
2016–ongoing | Sound researcher at the Sedje Hémon Foundation, The Hague |
2016–2021 | Guest tutor at the Master Artistic Research department, The Royal Academy of Fine Arts, The Hague |