Andrius Arutiunian (b.1991) is an Armenian-Lithuanian artist and composer based in Paris and The Hague. Arutiunian works with hybrid forms of sound through objects, installations and performances. Alternate modes of political and musical organisation, sonic dissent, and playful investigation of esoteric and vernacular histories form Arutiunian’s most recent works. Through aural cosmologies, non-western tuning systems, and use of resonance and speculative instruments, Arutiunian works with sound as a world-ordering method.
Solo exhibitions
| 2022 | Pavilion of Armenia, the 59th Venice Biennale, Gharīb |
| Centrala Space, Birmingham | |
| CTM festival and silent green, Berlin, Incantations |
Group exhibitions & performances
| 2022 | Survival Kit 13, Riga |
2021 | Unseen Data, FACT, Liverpool |
| Dutch Design Week, Eindhoven | |
| Rewire festival, The Hague | |
| werkleitz, Halle | |
| Opening the Archive, BALTIC Contemporary Centre for Art, Gateshead | |
2020 | Lucia Festival, Florence |
| Exrotaprint, Berlin (w/ Adapter ensemble) | |
2019 | Stedelijk Museum, Amsterdam (w/ Ensemble Modelo62) |
| Sacrum Profanum Festival | |
| Kablys, Vilnius | |
| MO, Modern Art Museum, Vilnius (w/ Ensemble Synaesthesis) | |
| Jewish Historical Museum, Amsterdam (w/ Marianna Maruyama) | |
2018 | Centraal Museum, Gaudeamus Muziekweek festival, Utrecht |
| Yaga festival, Lithuania | |
| Korzo, The Hague | |
| Ephémère, Studio Loos, The Hague | |
2017 | documenta 14, Parliament of Bodies (w/ Marianna Maruyama) |
| Contemporary Art Centre (CAC), Vilnius | |
| Melos Ethos festival, Bratislava (w/ Ensemble Synaesthesis) | |
| RAST, Amsterdam | |
| deSingel, Antwerp (w/ Nadar ensemble) | |
| Gallery Nouvelles Images, The Hague (w/ Marianna Maruyama) | |
| Radio Papesse, Florence | |
2016 | MAZE festival, Amsterdam |
| Rewire festival, The Hague | |
| Moments in the Pulse, Hong Kong |
Residencies
| 2022 | Rupert, Vilnius |
2021 | FACT, EMARE/EMAP, Liverpool |
| Cité internationale des arts, Paris | |
2020 | Amant, Siena |
2019 | BALTIC Centre for Contemporary Art, Gateshead |
| ZKM | Hertz Lab, Karlsruhe | |
2018 | The Deep Splash, Vilnius |
| Quartertone, Yerevan | |
2015 | Conlon Foundation, Utrecht |
2014 | National Cyprus Museum and Slagwerk Den Haag, Nicosia |
Publications
| 2022 | The Book of Gharīb (Pavilion of Armenia and Hallow Ground) |
| 2020 | Four Essays, w/ Raimundas Malašauskas, Marianna Maruyama, Isabelle Sully |
2019 | Portraits & Poets, digital release |
Awards & grants
| 2020 | Talent Development Grant, Stimulerings Fonds, the Netherlands |
| Makersregeling Den Haag, the Netherlands | |
| Stroom, Promise Grant, the Netherlands | |
2018 | Young Artist of 2017, Lithuanian Composer’s Union |
2017 | JCDecaux award (nomination), Lithuania |
Education
| 2010–2016 | BA & MA in Composition; The Royal Conservatoire, The Hague |
Teaching & research
| 2016–ongoing | Sound researcher at the Sedje Hémon Foundation, The Hague |
2016–2021 | Guest tutor at the Master Artistic Research department, The Royal Academy of Fine Arts, The Hague |